The Sun: Rising Threnody for Orchestra
The Sun: Rising was written in 1976 for the Royal Liverpool
Philharmonic Orchestra as a tribute to my father, who had died earlier that
year. Though it contains elements of
reflection and drama, it is ultimately a song of praise for a man who greatly
enriched the lives of both his family and his many friends and colleagues, and
who personally gave me so much support on a practical as well as a spiritual
level throughout my development as a musician and composer. After the first performance I was taken to
task by some critics for the use of the word 'threnody' in the title - since a
threnody is a song of mourning. But for
me the mourning had also contained in it the positive dimensions of hope,
rebirth and celebration. So the piece is
really a journey of contrasts - from fear to strength, despair to hope,
darkness to light, and death to resurrection.
Musically
it is largely derived from my earlier Three
Medieval Lyrics , which, through the poetry of Dunbar and others, treated
various aspects of the subject of death.
The three movements of the cantata are a prayer for peace, a troubled
and dramatic scena about the fear of approaching death, and a final and
triumphant re-affirmation of belief in the Resurrection. The same overall shape and moods are preserved
in this work, though there are only direct thematic links in the fast central
section.
The
score is prefaced by a quotation from Dunbar's poem about the Resurrection:
The sun that grew all pale now
shines bright,
And,
darkness cleared, our faith is now reborn.
To
echo this idea I have given the work a sense of continual growth, and an
increasing feeling of hope and joy. The
quiet opening presents most of the important thematic material, but soon gives
way to the substantial fast central section, characterised by conflicting moods
of fear, drama and lyricism. This builds
to a violent climax in which a theme from the cantata, originally heard to the
words 'Timor mortis conturbat me' (“the
fear of death terrifies m”'), is reiterated against a background of brass
fanfares. The final section returns
briefly to the quiet mood of the opening, but develops into an increasingly
positive statement of faith, culminating in a massive and triumphant
conclusion.
The Sun: Rising was first performed at the Wembley Conference
Centre in February 1977 by the Royal Liverpool Philharmonic Orchestra under the
direction of Meredith Davies.
© Christopher Brown 2011